When Others See a House We See a Work of Art Magazine Ad
At that place's surely some Beverly Hillbillies quip that pertains to the home that actors Ashton Kutcher and Mila Kunis have built on a glorious hilltop site perched above the storied Los Angeles enclave. Later on all, the loftier-powered Hollywood transplants—he's from Iowa; she was born in Ukraine—dug a well on the holding to irrigate the country, planted (and harvested) a field of corn during the COVID lockdown, and dubbed the place KuKu Farms. Just while Jed, Granny, and the residual of the Clampetts embraced a far more traditional have on Beverly Hills splendor—the sprawling French Neoclassical mansion pictured in the series credits was designed by builder Sumner Spaulding in the early 1930s and renovated past the legendary designer Henri Samuel in the 1980s—Kutcher and Kunis approached their passion project from a decidedly more than modest perspective.
The clients' own crystal chandelier crowns the amusement barn, where the glass sliders stretch 19 feet alpine. The custom sofa is covered in Pindler outdoor fabric.
Douglas FriedmanAt 1 end of the open up living/dining room, a Matthew Cox table with Stahl + Band chairs rests on an antique rug from Woven. A De La Espada desk with a vintage lamp from Obsolete sits in the corner.
Douglas Friedman"We wanted a domicile, not an estate," Kunis insists, describing the half-dozen-acre holding that at present accommodates a main firm connected to a guesthouse/entertainment barn, every bit well equally a freestanding barbecue pavilion, all arrayed along a key axis elaborately plotted to capture the fallacious views from, betwixt, and through the various structures. "Nosotros wanted the business firm to look similar an old barn, something that had been hither for decades, that was then converted into a house. But it also had to feel modern and relevant," Kutcher elaborates.
The blueprint-obsessed duo launched their five-year gamble by assembling independent Pinterest boards to flesh out their personal visions for the project. "Building a business firm from the basis upward is no small thing. This was either going to make us or suspension us," Kunis says of the potentially divisive undertaking. Happily, their aesthetic predilections seemed to dovetail neatly. "When we looked at each other'due south boards, 90 percentage of the images nosotros selected were the same, and nearly of the houses we pinned were designed by Howard," Kutcher recalls, referring to builder Howard Backen of the AD100 firm Backen & Gillam Architects.
Sight lines extend from the charcoal-broil pavilion, across the puddle, and through the master business firm.
Douglas FriedmanBacken, of grade, is a master of the and then-called modern farmhouse, renowned for his ability to coax a sense of verse and a bright, contemporary spirit from distilled vernacular forms and rustic materials. The Kutcher/Kunis residence is a testament to his alchemical treatment of reclaimed wood, board-course concrete, and glass. "Howard is like a cracking software designer, someone who approaches design every bit an accentuation of office," says Kutcher, who has wide experience in technology commencement-ups. "A software designer wants to get people where they want to be with the fewest clicks. Howard wants to get yous where you want to be with the fewest doors and obstacles. He also knows that in that location are certain places where you want a barrier to mark a threshold and create a trivial friction," Kutcher adds.
For his part, Backen returns the compliment. "Ashton and Mila are 2 of the smartest, nigh inquisitive people we've ever worked with. Nosotros talked about everything from beam sizes to the details of the cross bracing to the junctures of the wood planks and physical. These are not the kinds of conversations we have with every customer," says the builder.
Mila Kunis (wearing a Salvatore Ferragamo outfit, earrings and necklace by Louis Vuitton, a Hoorsenbuhs ring, and Antipodal sneakers) and Ashton Kutcher (wearing a shirt by Life/Subsequently/Denim, a Dolce & Gabbana T-shirt, Levi's jeans and Paul Smith boots) at home in Fifty.A.
Montauk sofas, a Vaughan standing lamp, and an antiquarian rug from Woven inhabit the living room, where the seams of board-course physical walls are perfectly aligned with reclaimed-oak floor planks.
Douglas FriedmanStephanie Gerwin, Backen'due south acquaintance, seconds the notion. "They were out in that location with us, as genuine members of the design team, for every step of this long and complicated process,"
she notes, emphasizing the couple's commitment to creating a sustainable, nurturing home for themselves and their two young children, Wyatt and Dimitri. The house is entirely powered by photovoltaics, concealed from view above the expansive porch that stretches along one side of the master structure. In fact, the house's solar array produces significantly more power than the property requires, although antiquated municipal codes don't exactly encourage free energy sharing—
a situation the homeowners hope will alter in the future. "Ashton and Mila are concerned about the quality of the soil, the purity of the nutrient they eat and the water they drink. The ideals of sustainability and regenerative farming aren't but abstract concepts to them," Backen avers.
The house'due south refined architectural vocabulary and rugged materials palette provided a springboard for the piece of work of AD100 interior designer Vicky Charles of Charles & Co., who joined the project just as she was exiting her post every bit global head of design for Soho House. "Nosotros were obsessed with Soho Farmhouse and other projects Vicky spearheaded. We loved the style she mixed fabrics, patterns, textures—really her whole aesthetic," Kunis says.
"Mila was pregnant with their first child when nosotros began this journey. We spent months looking at materials and colors to detect the correct visual linguistic communication. Our conversations were non merely almost the land and the architecture but also most the futurity of their family," Charles recalls. "Over time, the design moved abroad from a traditional farmhouse artful to something more contemporary. Wrought-atomic number 26 chandeliers and big chesterfields were the incorrect clothes for this body," she adds.
In addition to new, crisply tailored tables and plush, super-comfy seating, Charles incorporated elements from her clients' previous homes, notably a set of custom silver throne chairs that Kutcher commissioned on a trip to India and an improvident ten-pes-long crystal chandelier that seemed completely antithetical to the compages's humble forms and timeworn materials. "I got this job because I promised I could brand a domicile for those, shall we say, formidable pieces," Charles jokes. Ultimately she placed a pair of chairs in the primary bath—thrones for the throne room—and installed the chandelier in the towering entertainment pavilion. "We thought it would be funny to take this incredibly opulent thing hanging in a barn. It kind of takes the piss out of the property," Kunis says of the improbable crystal confection.
Douglas Friedman
An RH Teen lamp hangs in the guest bunk room.
Nonetheless those notes of self-effacing levity, the soul of the Kutcher/Kunis residence remains tied to the meticulous planning and fanatical attention to detail that the homeowners and their designers lavished on every aspect of the project. "To feel tranquility in a space, everything needs to be in order," Kutcher concludes. "If the world effectually you isn't in guild, it'south hard to become your encephalon in order. When we're in our abode, the world just makes sense."
Source: https://www.architecturaldigest.com/story/step-inside-ashton-kutcher-and-mila-kuniss-sustainable-la-farmhouse
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